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The infectious Get Out Of Your Own Way, certain to become a live anthem, is filled with a besotted dad’s hopes and fears for his daughters Eve and Jordan, complete with a coda directed at himself including this startling line . “We give birth to these songs but it’s our audience who give life and meaning to them,” he decides.Two songs have the word “light” in the title, Lights Of Home, a co-write with girlband Haim, and 13 (There Is A Light), which draws this explanation from Clayton.
Youthful innocence is represented by their bare feet but the troubled world they have to face up to is symbolised by the US M1 military helmet perched on Sian’s head. We want this stuff to enter the language.” It’s quite apparent that the delay and subsequent reboot of the album has given it a freshness and urgency that may otherwise have been lacking. Somehow, the band has managed to capture some of the white knuckle, less complicated live U2 sound in the studio. It has a combination of innocence and something else going on.” Despite evoking a creeping sense of unease, the album is remarkable for the feel-good sound of many tracks. “Though certain songs are quite intense, a hallmark of this record is that it’s very accessible, has a lot of vitality and melodic power. “If at least a bunch of them don’t end up becoming fodder for Holiday Inn lounge pianists in 20 years’ time or muzak in an elevator, then we’ll have failed. If so, are we linked to plants in very early stages of evolution?
How can a tube as flimsy as a mosquito's proboscis be stiff enough to act as a hollow boring tool?
Clayton suggests the overall takeaway from Songs Of Experience is “affirming and positive. “There are a lot of ageists out there who believe you can’t do rock and roll after the age of 35 but it’s just not true. “The teenager was an invention of the Fifties and the focus was on teenage expression.
We forgot that everyone else had valuable experiences as well.” Songs Of Experience is U2’s attempt “to own our age,” Clayton continues.
In 2014, when I met all four members on an idyllic, sun-dappled autumn afternoon in the south of France, they talked of a quick-fire companion album to that year’s Songs Of Innocence. “Brexit and the American elections threw a completely different light on everything and Bono was going through issues to do with his health that were quite profound.
But huge interest in The Joshua Tree’s 30th anniversary with its extended run of celebratory shows was just one factor behind a longer gestation period. “He wasn’t physically well and was in a place where he wanted to reconsider lyrics.
It could be any partner, any child, any fear, any danger, any hope.